Nature versus Nurture

Compelling evidence of the nature versus nurture quest in psychology:

In psychology studies there are lots of discussions about nature versus nurture, and its impact on the personal and psychological development and well being of each individual. Numerous twins have been studied – many who were separated at birth – to examine how alike and unalike they are: measuring things like body language and non verbal communication styles; skills and handedness; life management skills; and thinking processes. Most particularly these studies focus on how well individuals develop in different family environment and whether nature versus nurture is an important distinction. This article discusses the differences that show up in brain scans when one child is nurtured and the other is not.

What’s the difference between these two brains?

nature versus nurture in developing brains

nature versus nurture in developing brains

Both of these brains belong to three year old children. The brain on the left belongs to a child who is loved and nurtured by its parents. The other belongs to a child that is neglected. This has dramatic implications for the debate in nature versus nurture and how we interact with and educate our children. It’s obvious that the brain on the left is much bigger than the one on the right. The image on the left also has fewer spots, and far fewer dark “fuzzy” areas.

To neurologists who study the brain, and interpret the images, the difference between these two brains is both remarkable and shocking. The brain on the right lacks some of the most fundamental areas present in the image on the left. Those deficits make it impossible for that child to develop capacities that the child on the left will have. It seems the child on the right will grow into an adult who is less intelligent, less able to empathise with others, more likely to become addicted to drugs and involved in violent crime. The child on the right is also much more likely to be unemployed; be dependent on welfare, and develop mental and other serious health problems. What could possibly cause so radical a divergence in brain development? http://www.telegraph.co.uk/news/health/children/9637682/Whats-the-difference-between-these-two-brains.html

 

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Near Death Experiences and Painting

Frenetic Painting Stories influenced by oncoming death and post Near Death Experiences

A few days after the events of September 11, 2001, I was in Vietnam delivering Training and was told this story – ‘An artist who had rented collective art space in one of the Twin Towers had been missing since September 11. Apparently for the three weeks prior to September 11 he had gone against the protocols of the NY Port Authority and used the art space out of hours, frenetically trying to finish a Tryptic Painting – of a large plane crashing into tall buildings’. With aftersight his behaviour and images seem prophetic, but at the time, his fellow artists just thought he was mentally ill.

Paintings of near death experiences and oncoming death

Near Death Experiences

This story really resonated with me, and I was grateful that his experience was not my destiny. I was also grateful that I did not have that frenetic feeling to paint at all costs. More fool me, because the universe had other plans! Three weeks later after the Training was delivered, the upstairs powers-that-be, gave me an opportunity to embody what Frenetic Painting felt like, as I frenetically and almost obsessively had to paint every spare hour of my day and night to get images that I had drawn in the 1980’s of my Near Death Experiences onto canvas. It was exhausting yet exhilarating. This painting, ‘The Eye of the Universe II’ is one of those images:

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Goddess Temples on Malta

What can the Goddess Temples on Malta teach us about Earth history and early civilization?

mjandra temple 2

Goddess Temples on Malta

I have been working on my book about the Earth energies and Goddess Temples on Malta and found this picture of one of the temple at Mnajdra. So I thought I would share it here. I have spent many hours interacting with this and other temples in Malta. The history held within the Goddess Temples of Malta as well as their geomythic imprints make them compelling places to investigate as part of my Earth energy work, and my interest in the effects of such places on our human consciousness and spiritual development. The Maltese Islands are some of the oldest and most isolated on our planet, yet they are almost covered in sites and temples that divulge histories and cultures long forgotten.

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Medicine Wheels for Meditation

Medicine Wheels for Meditation

Golden Medicine Wheel

Golden Medicine Wheel

Medicine Wheels are powerful meditation tools that help us connect with our inner selves, the middle, upper and lower worlds and the spirit of all that is. I have made and interacted with many. Some were small for table altars, and some are as large as a room. Often I am asked to build and energise Medicine Wheels on the land, which can help devas grow and thrive, and connect the Earth in the area with the Christ Consciousness Grid of this planet’s etheric energy template. I have also painted many of them. This one is called “The Golden Medicine Wheel” and nurtures the golden energy of the cosmos and our inner golden egg.

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Painting of The Void

Phone: 0439 947 109                       Email: phowfield@hotmail.com

An acrylic and mixed media Painting of The Void or Healing Space known to Shamans and Healers across the World.

Mixed Media Painting of 'The Void'

Painting of ‘The Void’

This painting of the void entitled ‘The Void’ describes the entrance and exit point of the unknown, sometimes dark healing space that we can all access. Any teacher or practitioner of Shamanism knows about the Void – where nothing and everything exists. It holds the knowledge and wisdom of all experiences, is part of the journey of death of self and ego and potential liberation of the soul, and is the place we go to for soul retrieval and other healing work. This painting of “The Void” explores just one of the entrance points to this other world. As the void is multi-dimensional and timeless, it is appropriate that this image is multi-layered and was born and re-born over some time, as the colours and dynamics changed in its development. To purchase a limited edition print of this image that has been printed onto high quality Quarelle Paper, contact Paulina either by phone or email, and discuss sizes, quantities and purchase price plus postage and handling costs. At the moment you can buy these via paypal, but in the new year her online shop will be open for business

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‘Moonlight on the Old Road’

‘Moonlight on the Old Road’ – An Acrylic and Mixed Media Painting:

Moonlight on the Road

Moonlight on the old Road

“Moonlight on the Old Road”, was painted in response to my feelings about progress and the elimination of wild places on the planet. For some years at night, I chose to drive along a road that had a wild side. There were lakes that shimmered in the moonlight, white owls that flew across the roadway, and hundreds of singing frogs. Then developers stepped in. The lakes began to dry up, the water didn’t shimmer so brightly under the moon, the owls left for wilder areas, the frogs died and houses – shaped like little boxes made of ticky tacky that all looked just the same – became the feature of the moonlight. The deep purple, shows one of the receding lakes, still reflecting the moonlight, but surrounded now with houses, their rooves reflecting silver in the moonlight. The spirals and circles are the earth and her attempts to re-cover and re-grow her landscapes.

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Loss of Ancient buildings in Kathmandu

The loss of ancient buildings in Kathmandu and their beauty and wisdom is heartbreaking as shown in this video. Yet, as I often share here on my blog, all things on this planet are connected and no building or piece of land stands in isolation. This means that while the loss of the buildings in Kathmandu makes us think we have lost our planetary heritage, we can in fact access the wisdom they held in other ways. For example, the energetic imprints from the many centuries of worship and rituals will still remain. While this means they can be repaired, balanced and healed, it also means that they can be interacted with by remote viewing and clairvoyant and intuitive methods.

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Intuitive and creative impulse

Stone Galaxy

Stone Galaxy

Intuitive and creative Impulse – someone asked me recently what inspires me to paint and or choose my subjects. I find that my subjects, topics and themes tend to find me, and the painting is not painted by me, but comes through me. Sometimes the idea or thought, is so strong it cannot be ignored. It’s as if my soul is nagging me to put the image out into the world. Like for example the image ‘Bronze Galaxy’ in my last post. My intuitive and creative impulse, or my soul if you like, kept nagging at me, to be put the image onto paper, then onto canvas. I began to see the image everywhere. I could see it in the starry skies at night and then books came to me with inscriptions of stone carvings. So the tug was then to change the image, create it anew, as if it was created in stone. So my intuitive and creative impulse had me play with blues – first the colour of the daylight sky and then the moonlight sky. Then it had to be brown and pulled into sharper focus and so it became an image that could be created as magnets and greeting cards so that others could also have the influence of these galactic energies.

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Bronze Galaxy Painting Mirrors Ancient Stone Carvings

Phone: 0439 947 109                               Email: phowfield@hotmail.com

This painting mirrors ancient stone carvings from the Bronze Age that were found in Cochno in Scotland

Bronze Galaxy mixed media painting mirrors ancient stone carvings

Bronze Galaxy painting mirrors ancient stone carvings

Titled ‘Bronze Galaxies’ this image was created after a series of dreams that showed how these pathways were used by our ancestors to move through the galaxies of our universe. So Paulina wanted to describe these pathways in her paintings.Her image was also influenced by her work and interactions with the Spirals and other drawings found at ancient Celtic sites.

Bronze Galaxy was completed in 2005 and the image has morphed into other paintings and re-appeared in a series of mixed media ‘galaxy pathway’ paintings that Paulina did for an exhibition a few years ago.

cochno carvings

Cochno Carvings

Paulina thinks it is no accident that her painting mirrors ancient stone carvings, as it embodies the designs and symbols that are drawn into the Earth that she explores during her clairvoyant interactions with our planet’s visionary geography.

Bronze Galaxy can be purchased as a Limited Edition Print, on Quarelle Paper. Paulina currently sells her work using paypal, with her online shop for her artwork due to open in the new year. If you would like to purchase this or other images contact her by phone or email to discuss sizes and quantities and all postage and handling costs.

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Cochno Stone Markings

Stone Symbols and Markings Appear in Many Places and They Help us Understand Cultures and Artwork

The Cochno Stone Markings in Scotland are examples of symbols and markings unique to the Bronze Age.

Cochno Stone Markings from the Bronze Age

Cochno Stone Markings

The Cochno Stone Markings show cup and ring marks. They are a form of prehistoric art and consist of a concave depression, that is no more than a few centimetres across. Cup and ring marks carved into a rock surface are often surrounded by concentric circles also etched into the stone. The decoration occurs as a petroglyph on natural boulders and outcrops, and on megaliths such as the slab cists, stone circles, and passage graves. They are found mainly in Northern England, Scotland, Ireland, Portugal, North West Spain, North West Italy, Central Greece, and Switzerland.  However, similar forms have also been found throughout the world including Mexico, Brazil, and India.

With dozens of grooved spirals, carved indentations, geometric shapes, and mysterious patterns of many kinds, the Cochno Stone, located in West Dunbartonshire, Scotland, is considered to have the finest example of Bronze Age cup and ring carvings in the whole of Europe.

:http://www.ancient-origins.net/news-general/will-5000-year-old-cochno-stone-carving-see-light-day-once-more-001869#ixzz3Y7CbZB5K

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